KINO ŠIŠKA LIVE!

4 01 2012

radioCona | temporary project radio for contemporary arts | presents:

DVD RELEASE AND LIVE PERRFORMANCES   > 18-January-2012  8PM

Vasja Progar, Marko Batista, Jernej Marušič, Irena Tomažin, Miha Ciglar, Januš A. Luznar, Maja Delak & Luka Prinčič (Wanda & Nova deViator)




Performances in December 2011

22 11 2011

You are kindly invited to attend a performance entitled H220 by Marko Batista. Using technology, the author focuses on shaping a hybrid environment of non-linear structures and displaced matrixes. Particular audio systems form a so-called network of travelling objects and, through the use of modern realtime technology, intertwine with temporary digitally generated visual processes.


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Using specially made electronic tools and control elements, the author forms a platform that enables a rhizomatic environment of hybrid displaced units.

Concept and realisation: Marko Batista
Tech support: Nataša Muševič, Primož Juvan, Miljenko Kadič, Vlado Kurtuma





H220 @ Peek&Poke – Croatia

21 08 2011

Marko Batista will be performing at the PEEK&POKE Club/Computer
museum in Rijeka-Croatia.

September 21, 2011 at 8:30 pm

Peek&Poke
Ivana Grohovca 2, Rijeka, Croatia





BENTRONIX @ KAPELICA GALLERY

30 04 2011

Kapelica Gallery is launching a new sound based instalation of Ljubljana based intermedia artist Marko Batista. 75 Hz:2kHz:10kHz<III>Machine:to:Machine:I

EXHIBITION: 10-May-2011 – 20-May-2011

Opening: Tuesday 10-May-2011         9 p.m.

Kapelica Gallery, Kersnikova 4, Ljubljana





H220 sonic intervention @ PINA

28 04 2011

Marko Batista – intermedia performance

at Multimedia Center PINA, Koper

16. 4. 2011       8 p.m.





TIMING DIAGRAMS @ STARA ELEKTRARNA

1 03 2011

Experimental New Media Performance

PREMIERE > 31.3.2011 at Stara elektrarna, Ljubljana      8 p.m.

  • Concept and realization: Marko Batista
  • Tech support: Primoz Juvan, Natasa Musevic, Miljenko Kadic
  • Video support: Bostjan Cadez
  • Executive Producer: Marcela Okretic

Production and organization:
Aksioma – Institute for Contemporary Art, Ljubljana, 2011

Project supported by the Ministry of Culture of RS and the City of Ljubljana.





RADIO AS AN ARTS SPACE – radioCona STATION ZONE, broadcast 09

30 01 2011

19th till 23th January, 2011

88.8MHz (Ljubljana, Slovenia), RADIO CONA stream, RAM Live (Roma, Italia)

Interview with Marko Batista & Natasha Musevic + sound contribution

RADIO AS AN ARTS SPACE – STATION ZONE – curated by Irena Pivka, Ilari Valbonesi, Brane Zorman – will act as a sound art platform, intersecting selected archives from Rome and Ljubljana broadcasting sound art productions, texts and interviews from radioCona, Radio Študent, Maurizio Nannucci, SoundArtMuseum, RAM, MGLC, ŠKUC, Galerija P74, artists archives and ZVO.ČI.TI (So.und.ing) project.





PARALLEL DIGITAL STRUCTURES LIVE!

5 12 2010

Live @ PIXXELPOINT FESTIVAL 2010

11th International New Media Art Festival, Nova Gorica-Slovenia

December 8th 2010    8 p.m.

Experimental intermedia performance
Production: Aksioma – Zavod za sodobne umetnosti, Ljubljana
Small hall of Arts Center Nova Gorica






EXHIBITION @ EX-GARAGE

9 11 2010

> SIPHON:SYS:APPARATUS 1.2 < Syphon:Media:Exhibition > MARKO BATISTA

Friday, 12-NOVEMBER-2010  .. 8 P.M.  EX-GARAGE, Gregorčičeva 56, Maribor-SI

„SIPHON:SYS:APPARATUS 1.2“ is a reasearch into the phenomenology of sonic structures by using a siphon as an instrument of sonic perception. Technology driven mixed media installation features parallel non-linear sound compositions based on several electronic elements, trapped in the circuits of siphon system apparatus associated with unconventional sonic results.





SHARE FESTIVAL 6° – Smart Mistakes

30 10 2010

Marko Batista is performing PARALLEL DIGITAL STRUCTURES in Torino, Italy

  • 3rd November 2010  > 8 P.M.
  • @ Regional Museum of Natural Science of Torino – Second Floor

“Focusing attention on the role of error in the creative process means exploring the cultural importance of trial and error in action, where errata become an approach of clear artistic value. Just as a genetic error is an agent of mutation and hence of biodiversity, error in action is what guides the creative process – because perfection leaves no room for improvement. In this way, the dualistic framework is turned on its head and error is appreciated in a different way: as an opportunity and not simply as a mistake.”  Share Festival








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