Colours in Motion @ LUMINA!

The LUMINA Festival of Light has the pleasure and the privilege to, once again, light up the nights in Cascais from 21 to 23 September 2018. The Festival dedicates its 7th Edition to Colors and Shapes.

With contemplative projects, light installations, immersive video mappings, performances, parades and interactive projects, the Festival’s purpose is to celebrate colors and forms in all its nuances, senses and aspects, but also to allow visitors to freely interpret different forms of expression, interact and participate in the artistic works, providing them with an unique experience.

 

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Marko Batista @ Festival Visualija

Three days of Light and Music ! Join !

Different locations in the city of Pula, Croatia

COLOURS IN MOTION

12TH INTERNATIONAL LIGHTING GUERRILLA FESTIVAL: COLOURS

Opening > Friday, 11th May 2018, at 21.30

Ljubljana

In the time of the 12th edition of the international Lighting Guerrilla festival, Ljubljana will again come to life with a series of light installations that will illuminate its city centre.

Marko Batista will present his new project entitled Colours in Motion. It is an interactive light-musical project that enables the audience to create their peculiar sound and visual environments in a playful way by means of different sensors and controllers. This kind of interactivity represents both an artistic and technological challenge since the idea is for the audience to be able to affect the moving visual images and contribute to the electronic sound landscape in real time.
The project thus encourages the audience to make the qualitative step forward from a passive recipient, who only listens and watches, into an active contributor – not only in art, but in their lives and society in general.

FLUID PARTICLES OF VULCANIC ASH

Cultural Centre TOBAČNA 001, Ljubljana
Opening of the exhibition will be on Friday, 27 October at 7 p.m.

The exhibition Fluid Particles of Volcanic Ash is part of a multiannual project in which Marko Batista prompts the viewer to reflect on the problem of modern post-fact society in relation to technological progress. Technological systems are not perfect, predictable, self-contained and complete, but rather unstable, and it is precisely this point that serves as the premise of Batista’s exploration.

COMPUTER ARTS FESTIVAL

MARKO BATISTA: SONIC GEOMETRY OF SPACE
sound art exhibition
Produced by  Aksioma, Institute for Contemporary Art, Ljubljana

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10.10.2017 – Exhibition opening

GALLERY DLUM

Židovska ulica 10,

Maribor – Slovenia

LOKUS:303

Marko Batista, Srdjan Deba, Boštjan Čadež

23rd September 8 pm–10:22 pm Šance, Ljubljana Castle

‘ART IN PUBLIC SPACE” EVENT

The intermedia project entitled Locus:303 originates from the installation Electronic Church by Marko Batista and Srdjan Deba (production Aksioma 2014, coproduction Forum Ljubljana) from 2014. It is an electroacoustic light sculpture that intervenes in the medieval architecture of the space.

The installation is a part of the ‘Art in Public Space’ event with the aim “… to emphasize the signifcance of contemporary art and to show its importance in public. The desire is to establish an equal partnership with urban planners and architects, as well as other creators of the public sphere. It is about connecting the elements between disciplines, between theoretical standpoints and practical use, between academic concepts and actual efectiveness” says curator Matena Bassin.

MARKO BATISTA @ AKSIOMA

SONIC GEOMETRY OF SPACE
sound art exhibition

Aksioma | Project Space
Komenskega 18, Ljubljana

16 November – 9 December 2016
Opening hours: TUE-FRI 12 pm – 6 pm

In his works Marko Batista analytically thematises DIY electro-acoustic processes at the intersection of electronic sound, technology and contemporary art. His exhibition in Aksioma will be on as a prototype of a hyper-acoustic capsule. The ambient set-up designed by Marko stems from long-standing sound experiments, for his work is based on the exploration of dynamic self-generating systems and the phenomenology of sound resonances in space.

Spatial sound, which is characteristic of Marko’s work, is created by means of aesthetically designed modular interfaces and prototypical acoustic resonators, which were designed especially for the exhibition. The material for the exhibition derives from the inventions of the previous millennium; the show problematises the processes of the production of electro-acoustic artefacts and processuality.